For labels

We tell you where your music is playing.

You send promos out and never find out how far they got, or where. Djooni listens to full DJ sets and finds your tracks inside them — which set, which track, and the second it starts.

Most played labels

See which labels DJs are actually playing.

Every label Djooni has identified inside a set, ranked by how often its tracks turn up.

Browse all labels

What you get

Four things, and all of them are the set itself.

Which sets

Every set your music was found in, newest first. Not a chart position — the set itself, linked.

Which track, which second

Down to the moment it starts. Open the set there and hear it for yourself.

What played beside it

Everything else identified in the same set, so you can tell a passing pick from a run built out of your music.

Which track is in the most sets

Your tracks ordered by how many sets they turn up in. It is rarely the one you pushed hardest.

The page you get

Every set your music turns up in, in one place.

Lumen Trax

Lumen Trax

Djooni found 34 of your tracks in 210 sets.

your tracks everything else Djooni identified in that set
2:00:00 Found 2 days ago 2 of 12 yours
6:24 Pattern Recall Mera Kotecha · Halfmoon 14:54 Static Bloom Tobi Ravn · Vantage Cut 25:12 Salt Flats Juno Ferrer · Halfmoon Folded Light Lia Forge 37:50 46:48 Copper Wire Sennen Vale · Third Rail 58:06 Quiet Hours Mera Kotecha · Halfmoon 1:07:18 Hollow Point Odile Brandt · Vantage Cut Distant Signal Aris Hale 1:21:15 1:33:42 Third Rail Sennen Vale · Third Rail 1:44:12 Long Exposure Juno Ferrer · Halfmoon 1:51:36 Undertone Tobi Ravn · Vantage Cut 1:56:54 Nightbus Odile Brandt · Third Rail
30:00 1:00:00 1:30:00
37:50

Folded Light

Lia Forge

1:21:15

Distant Signal +2%

Aris Hale

SoundCloud Basement Tapes 07
1:30:00 Found 5 days ago 1 of 9 yours
7:12 Copper Wire Sennen Vale · Third Rail 18:36 Quiet Hours Mera Kotecha · Halfmoon 29:24 Hollow Point Odile Brandt · Vantage Cut 38:48 Third Rail Sennen Vale · Third Rail Last Train Ines Marsh 52:30 1:01:30 Long Exposure Juno Ferrer · Halfmoon 1:10:06 Undertone Tobi Ravn · Vantage Cut 1:18:54 Nightbus Odile Brandt · Third Rail 1:25:24 Paper Anchor Mera Kotecha · Vantage Cut
30:00 1:00:00
52:30

Last Train -2%

Ines Marsh

1:15:00 Found 1 week ago 3 of 11 yours
4:06 Third Rail Sennen Vale · Third Rail Verdigris Lia Forge 12:05 21:42 Long Exposure Juno Ferrer · Halfmoon 27:18 Undertone Tobi Ravn · Vantage Cut Perimeter (Extended Mix) Aris Hale 34:40 43:54 Nightbus Odile Brandt · Third Rail 49:12 Paper Anchor Mera Kotecha · Vantage Cut 55:48 Cold Open Juno Ferrer · Halfmoon Slow Channel Ines Marsh 1:03:20 1:09:24 Pattern Recall Mera Kotecha · Halfmoon 1:12:36 Static Bloom Tobi Ravn · Vantage Cut
30:00 1:00:00
12:05

Verdigris

Lia Forge

34:40

Perimeter (Extended Mix) +3%

Aris Hale

1:03:20

Slow Channel -1%

Ines Marsh

SoundCloud Nightshift 042
2:22:22 Found 2 weeks ago 6 of 15 yours
4:12 Nightbus Odile Brandt · Third Rail 11:06 Paper Anchor Mera Kotecha · Vantage Cut Distant Signal Aris Hale 18:40 26:30 Cold Open Juno Ferrer · Halfmoon 34:48 Pattern Recall Mera Kotecha · Halfmoon Folded Light Lia Forge 41:12 53:18 Static Bloom Tobi Ravn · Vantage Cut 59:54 Salt Flats Juno Ferrer · Halfmoon Slow Channel Ines Marsh 1:06:30 1:15:12 Copper Wire Sennen Vale · Third Rail Perimeter (Extended Mix) Aris Hale 1:24:05 1:36:00 Quiet Hours Mera Kotecha · Halfmoon Verdigris Lia Forge 1:47:20 1:58:18 Hollow Point Odile Brandt · Vantage Cut Last Train Ines Marsh 2:09:48
30:00 1:00:00 1:30:00 2:00:00
18:40

Distant Signal +2%

Aris Hale

41:12

Folded Light

Lia Forge

1:06:30

Slow Channel -1%

Ines Marsh

1:24:05

Perimeter (Extended Mix) +3%

Aris Hale

1:47:20

Verdigris

Lia Forge

2:09:48

Last Train -2%

Ines Marsh

This example uses invented label and set data, shown in the same catalog view customers use.

Questions

The parts worth knowing first.

Audio we can fingerprint, delivered however suits you. It goes into the reference index the matcher runs against. It is not published, not streamable and not available for download. We do the setup with you, once.

Not yet. You get the set, so you can open it and see whose it is, but we do not turn that into data you can sort or count. Naming the DJ behind every match is what we are working toward, and we would rather say that plainly than imply we already do it.

No. No fan data of any kind — no identities, no sentiment, no sales attribution. We tell you what we found, not what it means. A match is audio Djooni found inside a set; we do not know how big the room was, or whether anyone in it was listening.

SoundCloud, YouTube and Mixcloud. Not club systems, not radio, not social video. If a DJ reached for one of yours at a festival and nobody uploaded the set, we cannot hear it — so treat what you see as a floor, never a total.

Then the page says so plainly. An empty page is a real answer about a quiet month, and we would rather show you that than pad it out.

You mark it wrong on the row it appears on. It stops counting for you, and it feeds back into how the matcher handles that track. You are the authority on your own music.

Most DJ-play data starts from tracklists people typed out by hand, so it only reaches the sets somebody cared enough to transcribe, and the timings are as good as whoever typed them. We start from the audio. That means we also find tracks in sets nobody wrote up, and the second comes from the match rather than from a listener with a stopwatch.

The people on your account, and nobody else — you tell us who to add, and it sits on an ordinary Djooni account with no separate login. On price, we are setting terms with the first labels we work with rather than publishing a list we would have to walk back. Ask, and we will tell you where the conversation is.

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